Fright Flick F.M.K.

Episode 118: Dark Harvest (2023)

🎃 Dark Harvest (2023) plunges listeners into a chilling Midwestern town where Halloween isn’t just spooky—it’s survival. Every year, teenage boys are starved, masked, and unleashed in a violent hunt to stop a supernatural creature called Sawtooth Jack from reaching the church before midnight. The reward? Fame, fortune, and a one-way ticket out of town.
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Episode 117: Bring Her Back (2025)

🎙️ Fright Flick FMK Presents: Bring Her Back (2025) 🎙️
This week on Fright Flick FMK, we dive headfirst into Bring Her Back (2025) — the twisted new horror from the Philippou brothers that’ll make you question how far love (and grief) can go 😱💔.
When foster mother Laura takes in siblings Andy and Piper, things start off sweet... until Piper’s eerie connection to the supernatural brings someone back who should’ve stayed gone 🪞👁️. From chilling rituals to emotional breakdowns, this one’s packed with dread, devotion, and devastating choices.
Join us as we break down the film’s wild ending, haunting performances (Sally Hawkins, we see you 👏), and all the skin-crawling symbolism hiding between the screams 🕯️🔥.

Episode 116: Hemet, or the Landlady Don't Drink Tea (2024)

This week on Fright Flick FMK, we unravel the bizarre and haunting Hemet, or The Landlady Don’t Drink Tea (2024) ☕🏠. The film follows a young drifter who rents a room in Hemet, California, only to discover his seemingly ordinary landlady hides a sinister secret. As strange rituals unfold, teacups remain untouched, and neighbors whisper of disappearances, the truth emerges: the landlady is part of a cult feeding on paranoia and the souls of the lost. The movie blurs the line between suburban banality and cosmic horror 🌌🩸, leaving viewers trapped in its dreamlike atmosphere. We’ll dive deep into its surreal imagery, the shocking final act where reality unravels, and why this unsettling story sticks with you long after the credits roll.

Episode 115: Please Don't Feed the Children (2024)

🎙️ This week on Fright Flick FMK, we dive into Please Don’t Feed the Children (2024) — the chilling directorial debut of Destry Allyn Spielberg. Set in a bleak, post-apocalyptic world 🌍🦠 where a viral outbreak has wiped out most of the adult population, the story follows a group of orphaned children 👧🧒 on the run. When they find refuge with a seemingly kind woman (played by Michelle Dockery), what starts as comfort quickly spirals into a nightmare 🔪👻 as her maternal instincts take a dark and twisted turn. From milk-and-cookies menace 🍪🥛 to psychological terror 🩸, this is one indie shocker you don’t want to miss.

Episode 115: Cannibal Mukbang (2023)

This week on Fright Flick FMK, we’re diving into one of the most outrageous and stomach-churning horror films of 2023 — Cannibal Mukbang. 🍖📸 Blending internet culture with gut-ripping terror, this movie takes the viral world of live-streamed eating shows 🍲🎥 and twists it into a blood-soaked nightmare. We’ll break down the shocking setup, the grotesque kills, and the biting social commentary lurking beneath all the gore. 🍴🔪 Is it campy exploitation, a disturbing satire, or both? Join us as we pick apart the film’s most jaw-dropping moments, explore what it says about obsession, performance, and appetite, and decide if we would rather fuck it, marry it, or kill it. 🤢🍗

Episode 114: RATLINE (2011)

On this episode of Fright Flick FMK, we dive into Erick Stanze’s 2011 shocker Ratline. Blending grindhouse grit with supernatural terror, the film follows a group of criminals on the run who stumble into something far darker than the law—an ancient Nazi occult experiment with deadly consequences. We’ll unpack its mix of crime thriller and horror, the raw indie filmmaking style, and why Stanze’s vision makes Ratline such a disturbing and unforgettable entry in underground horror cinema.
Wicked Pixel Cinema Website
Eric Stanze Facebook
Wicked Pixel Cinema Facebook

Episode 113: Where the Devil Roams (2023)

🎪 This week on Fright Flick FMK: We hit the dusty road with Wonder Wheel Productions’ eerie Depression-era nightmare, Where the Devil Roams (2023). Directed by the powerhouse indie team—the Adams family—this folk-horror gem follows a traveling sideshow family leaving a bloody trail through a crumbling America.
Expect devilish deals, twisted family dynamics, and a macabre mix of murder, magic, and music. We dig into the film’s surreal visuals, brutal heart, and the haunting beauty behind its madness.
🔥 Blood, barnstorms, and the blackest kind of love—Where the Devil Roams might just crawl under your skin and stay there.

Episode 112: As a Prelude to Fear (2022)

🎙️ This Week on Fright Flick FMKWe're diving into the 2022 British horror-thriller As A Prelude to Fear—a film inspired by real events and steeped in psychological dread. Join us as we unravel the chilling story of a young cellist who vanishes during a music lesson, only for investigators to uncover a twisted trail of manipulation, control, and fear.

Episode 111: Ryan Cavalline Interview

🎙️ On this weeks episode of Fright Flick FMK we  sit down with filmmaker Ryan Cavalline — the writer, director, and force behind indie cult hits like THE DEVIL’S HACKSAW, THIS WAY TO HELL, GUTS ON THE CHAINSAW, and DOWN THE CHIMNEY WITH A SHOTGUN.
We dive deep into his raw, gritty style of filmmaking, his DIY approach to horror, and the realities of low-budget genre cinema. Ryan shares behind-the-scenes stories, creative influences, and what it takes to keep making horror on your own terms.
Whether you’re a longtime fan or just discovering his work, this episode offers an unfiltered look at the mind behind some of indie horror’s most relentless films.
Legend Hunters Films Website
Ryan Cavalline Instagram
Legend Hunters Films YouTube

Episode 110: Final Destination Bloodlines (2025)

In this episode of Fright Flick FMK, we dive headfirst into the latest entry in the death-defying horror franchise—Final Destination: Bloodlines. After over a decade in the grave, the series is resurrected with a fresh story, new characters, and that same relentless force of fate. We break down the kills, talk legacy connections, and debate whether Bloodlines lives up to the twisted thrills of its predecessors. Is this a worthy reboot, or has death overstayed its welcome?